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Anna Singer, soprano, appeared with Palm Beach Opera Orchestra at Avery Fisher Hall and as soprano soloist in Beethoven's Symphony No. 9 throughout Europe, most recently in Lisbon with the Orquestra Sinfonica Portugesa. Ms. Singer made her Carnegie Hall main stage debut with Manhattan Philharmonic. She has sung with New York City Opera, Pittsburgh Opera, and the opera companies of Cleveland, Los Angeles, Palm Beach, and Fort Worth, among others. Her many roles with Opera Theater of Pittsburgh include her acclaimed SummerFest performances as Hannah in The Merry Widow and Desiree Armfeldt in A Little Night Music. Anna has sung leads in such operas as Tosca, Salome, Aida, Susannah, Il Trovatore, La Traviata, La Boheme, Le Nozze di Figaro, Lohengrin, Die Walkure, and Die Fledermaus, among others. For Microscopic Opera, she recently performed the role of Madame Lisette in Therese Racquin, among others. Anna made her Carnegie Hall recital debut as a result of her first prize-winning at the Center for Contemporary Opera Vocal Competition. She was awarded First Prize at the Palm Beach Opera Competition, the Dicapo Opera Theatre Vocal Competition, among many others. Heard on air as mid-day host on WQED-FM, Anna is soprano soloist for The Presbyterian Church, Sewickley.

 New York native and Pittsburgh resident Kara Cornell, mezzo-soprano, is a versatile performer who is known as "a singer who can balance impeccable production and phrasing with enthusiastic and colorful dramatics." (Berkshire Review for the Arts) Her expressive portrayal of roles and clear English diction has hailed her "accomplished and electrifying" (Opera Insider) with roles ranging from a "totally endearing" Cinderella (St. Petersburg Times) to a "seductive, wounded, damaged and dangerous" Carmen (The Troy Record). Nationally, Kara has recently performed leading operatic and musical theater roles with Union Avenue Opera (St. Louis), Winter Opera St Louis, Opera Fayetteville (AR) St. Petersburg Opera (FL), Utah Festival Opera and in New York State with Opera Saratoga, Center for Contemporary Opera, Opera Ithaca, Smithtown Theater for the Performing Arts, Upstate Chamber Opera, Hubbard Hall Opera Theater, Mosaic-Arts, Stony Brook Opera, The Madison Theater and Long Island Opera.

Locally, Kara has performed as a mainstage artist with Pittsburgh Festival Opera (Orfeus and Euridice, Carmen the Gypsy, Shining Brow), Pittsburgh Opera (Little Women), Resonance Works (The Bernstein Project, Evidence of Things Not Seen, Falstaff), Nat28 New Music, The Butler Symphony, and was soloist for the premiere and recording of the Pittsburgh Camerata commission of Nancy Galbraith's Sacred Songs and Interludes. In addition to her stage and solo concert performing, Kara is a voice teacher in CMU's drama pre-college program, Seton Hill University, Washington & Jefferson College, and maintains a private studio from her home near Aspinwall.

This season, Kirk Dougherty, tenor, performs as Leicester in Maria Stuarda with Piedmont Opera, as Alfredo in La traviata with Opera Southwest, and as the title role in Les contes d'Hoffmann with Opera Delaware where he will also appear as a soloist in their Winter Opera Jukebox concert. Last season, Mr. Dougherty performed the role of Rodolfo in La bohème with Salt Marsh Opera; Rinuccio in Gianni Schicchi with Knoxville Opera; Almaviva in Il barbiere di Siviglia with Raylynmor Opera; and Cavaradossi in a concert production of Tosca with Helena Symphony and in full production with NJ Festival Orchestra. He also performed the tenor solo in Verdi’s Requiem with Allentown Symphony, performed as a soloist in concert with Opera Delaware, sang the role of Cavaradossi/Rodolfo in “Puccini at the Pendry” concert with Maryland Opera, and Handel’s Messiah with National Chorale.

Other recent engagements include the role of Duke of Mantua in Rigoletto with Opera Las Vegas, Edgardo in Lucia di Lammermoor with Bob Jones University, Tamino in Die Zauberflöte with Glacier Symphony as part of their Festival Amadeus, Mozart’s Solemn Vespers for MidAmerica Productions at Carnegie Hall, Rinuccio in Gianni Schicci/Buoso’s Ghost with Opera Delaware, Pinkerton in Madama Butterfly, Rodolfo in La bohème and the tenor solo in Stabat Mater with Wichita Grand Opera, Nikolaus Sprink in Silent Night with Piedmont Opera, and Count Almaviva in Il barbiere di Siviglia with the Utah Festival Opera and Musical Theatre. Other recent appearances included a return to Anchorage Opera as Don José in Carmen and Verdi’s Requiem with the New Jersey Choral Society.

Mr. Dougherty made his Opera San José début as the Duke in Rigoletto, and later returned to the house as Tamino in Die Zauberflöte, his role début of Cavaradossi in Tosca, and the role of Don José in Carmen. Additionally, Kirk performed the role Pinkerton in Madama Butterfly for Anchorage Opera. Previous seasons include his company débuts with Sarasota Opera in the role of Manrico in Il Trovatore, the American Symphony Orchestra portraying Aaron in Bruch's oratorio Moses at Carnegie Hall, the Glacier Symphony performing Mahler’s Das Lied von der Erde, Salt Marsh Opera as Ernesto in Don Pasquale, and the title role in Faust for Opera Louisiane.

Matthew Hunt, baritone, has performed with vocal ensembles in the United States, England, and Italy, with a focus on oratorio works. In addition to performing as a soloist in Handel’s Messiah, Matthew’s oratorio credits include Lucifero in Alessandro Stradella’s Esule dalle Sfere, Pilatus in Bach's St. John Passion, and Lucifero in Handel's La Resurrezione. In Pittsburgh, he has been the baritone soloist in various oratorio and cantata productions including the Mozart Requiem and Carmina Burana. He performed the role of Le Surintendant in the 2015 Resonance Works production of Cendrillon and also performed in the 2016 production of Falstaff and the 2014 production of L'elisir d'amore. As a member of the professional core of the Mendelssohn Choir of Pittsburgh he performed as a soloist in Giacomo Carissimi's Jephte, Beethoven's Mass in C, Rossini's Petite Messe Solennelle, and Durufle's Requiem.